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Essential Manifest

As a human artist: I must not separate myself from who I am in all areas of my essence. I recognize, value and assume my potential and my capacity to act and represent loyalty and ethics in my relationships. I recognize, value and assume the potential of all those who are here with honor to their processes in individuation.

I assume: my prerogative to act as a planetary artistic facilitator.

I aspire: To find a viable and sustainable way for all religions, governments, markets, borders, families, armies and powers to converge, enabling humans to awaken to respect, to accept their own lives and to understand their similarities and differences. Contributing to free will and exercising free thinking in search of wisdom and growth in human existence.

With the perspective: For us to learn about the value and importance of everything that exists in this earthly journey. In search of the value of understanding why we are here. So that we can accept and be grateful for our life and that of our Pachamama (Planet Earth).

I propose: to use all available audiovisual tools (photo and video) and professional partnerships to contribute through my capacity to build, observe, record, share, question, and undertake, and to understand myself and everyone else in the Art of Living.

I would not like to admit: the limitation of our human intellectual capacity in thoughts, active development, limiting beliefs or feelings conditioned and programmed to the atavistic, historical, educational and cultural system that has not proved effective for us to imagine a future and healthy panorama for our descendants to live on Earth.

What about you? Do you believe?

Do you think it is feasible to think "outside the box" in order to reconstruct the human experience and really get closer to God within us? And to see that everything out there manifests and is sacred? Do we have for a few moments the permission to put ourselves outside the "matrix"? What do you really believe that we deserve? That we deserve to watch the extinction of our species from the sidelines?

Well, we have taken the first steps towards our noble mission of thinking and philosophizing poetically and philosophically about the Image and human existence. And we will continue without fear and without haste towards the existential infinite. 

Thank you, thank you, thank you. In lakesh

ABOUT THE LIGTH HUNTER - LINKS

TOD

FOTO ART SERIES

  • Todos
  • I Fine Art
  • II Street Photography
  • Projetos Especiais
Venice 2026
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Venice 2026

21.01.2026
Art Decor
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Art Decor

15.07.2022
Welcome to my universe of Fineart
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Welcome to my universe of Fineart

29.01.2021
Aqualumini
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Aqualumini

I Fine Art

11.05.2017

 

DECLARAÇÃO ARTÍSTICA DE LUIZ  TODESCHI 

Pode me chamar de Tod, meu nickname. ;-)

Nasci na cidade de Curitiba Paraná, no sul do Brasil, em 02 de outubro de 1977.  Sou o pai de Henrique, solteiro, tenho senso de humor e uma fé inabalável. Adoro viajar por todos os cantos possíveis para produzir conteúdo imagético e de registro.

Licenciei-me em Administração de Empresas com um MBA em Marketing e em Fotografia.  

Desde muito cedo tomei a postura de cidadão global, artista visual digital e ativista ecológico e humanitário. 

O meu trabalho fotográfico e de vídeo faço para propagar reflexões para a paz e para um mundo melhor para todos.

Acredito no poder da criatividade, da integração humana, da tecnologia, da arte, da diversidade cultural e do respeito para o aprimoramento da vivência/experiência planetária! #Ubuntu #Globcal

Sou um entusiasta de um movimento planetário sagrado que facilitará para que todos possamos viver num Planeta digno do plano do Universo e da espiritualidade. Através da adequação das nossas ações, do auto-desenvolvimento e do despertar da nossa consciência sagrada.

Sozinho não faço nada. Espelho-me em todos os mestres que passaram aqui na Terra, e nos anônimos como eu, que vieram mostrar o poder da fé, da cultura, da ciência, da sustentabilidade e do amor na caridade, nas boas práticas e no respeito por tudo o que existe e é manifestado. 

As vezes é normal que nos sintamos cansados da jornada. Mas reagir é necessário.

Dessa forma mantenho a ultra-motivação para influenciar e ser influenciado positivamente, para que juntos possamos viver num nível de maior consciência e plenitude através da inversão da reflexão paradoxal filosófica e artística.

Em meu trabalho e mensagens proponho de forma lúdica satisfazer desejos de consumo estético, projetos de arte e contribuir para integrar o planeta Terra no movimento SAVE ECO SPACE para o pensamento artístico numa existência consciente, inteligente, moderna e viável.

E não me permitindo aceitar menos do que isso, partilho a minha missão visionária aos amigos interessados. :-)

Penso além.......   

Acredito firmemente que todos nós precisamos de mais energia e frequência positiva nas relações e maior apoio para crescermos juntos como Humanidade!!!!

Ao sentir conexão com esta premissa, desejo que possamos caminhar juntos, criar, compartilhar idéias, mesmo que estejamos em locais diferentes do globo. Unidos pelo movimento SAVE.

#todxsjuntos #bora #paraoaltoeavante #rogandoreforços #pentagrama

⚡....... DECLARAÇÃO DE ARTISTA

Quando assumi a fotografia como suporte em serviço da Arte e da humanidade passei a me especializar em fotografias minimalistas e narrativas metafísicas que honram os poderes da criação e do registro.

Metafísica é uma das disciplinas fundamentais da filosofia que examina a natureza fundamental da realidade, incluindo a relação entre mente e matéria, entre substância e atributo e entre necessidade e possibilidade. Wikipédia

O foco dos meus clicks enfatiza a contra-luz em evidência e, sempre que possível, homenageia os quatro elementos da natureza e suas manifestações reveladoras e vibracionais.

Os elementos clássicos normalmente se referem aos conceitos de terra, água, ar, fogo e éter, que foram propostos para explicar a natureza e a complexidade de toda a matéria em termos de substâncias mais simples. Wikipédia

Enfatizo meus clicks para ressaltar  tudo o que "percebo" que eleva a auto-estima do planeta, dos seres invisíveis, dos minerais, dos animais, dos vegetais, dos seres humanos, de toda a natureza, e do reino das Estrelas.

Confira os textos críticos.    sobre meu trabalho caso tenha interesse.

🚩  FOCANDO NOS  RESULTADOS PERANTE A DISCIPLINA.

"Em 2012, o fotógrafo brasileiro Luiz Todeschi deixou para trás uma carreira promissora na profissão de Administrador de Empresas para se dedicar a tempo integral à exploração e estudo da ciência fotográfica. Desde aquela época o seu trabalho magistral e pioneiro tem sido aclamado e reconhecido em todo o mundo. As suas fotografias foram exibidas no Brasil, Estados Unidos, França e Itália, entre outros países nos quatro continentes. Para saber mais sobre o nosso artista Luiz Guilherme Todeschi, pode descarregar o exemplar digital da ArtTour International Magazine Spring Issue 2021 ." Assina: VIVIANA PUELLO – FOUNDER/CEO /  ATIM

 

LUIZ TODESCHI - THE LIGTH HUNTER - : Na arte; Fotógrafo Global Fineart (artístico) com validação oficial de obras publicamente certificadas em casa de Leilão no Exterior e na  listagem oficial da Arsvalue (líder mundial em informação sobre o mercado  de arte) - e certificação obtida em Leilões emitidos pela Art Code - Auction House .

Na avaliação do passado: Recebendo chancela de experientes especialistas do mercado de arte nos últimos anos, Luiz Todeschi foi considerado no expressar de "Pioneer in revolutionary Art of New Age",  e recentemente " For a New World for the Contemporary Artists - RenovArt | 100 Artists for the Future" - publicamente reconhecido como importante influenciador na Arte e Cultura Global, digno de apreciação e atenção de consumidores e entusiastas, e ainda agraciado e enaltecido em importantes premiações e honrarias ao mérito artísticas nacionais e internacionais. 

🏆 💪 CEO...... 

Save Global Art Gallery - fundada em 2022 por Luiz Guilherme Todeschi, cidadão global, fotógrafo artístico internacional, ativista societal, Embaixador da Boa Vontade Globcal International, que acredita no poder da criatividade, tecnologia e da arte para a transformação e integração planetária de forma ética e responsável!

Proposta de valor: A Save Global Art Gallery  se propõe a ser um espaço de convivência social vivo e pulsante que proporciona uma contemplação da arte de diversos artistas nacionais e internacionais e pretende  provocar  sensações plurais aos visitantes.

Missão Estratégica: Conectar hubs através da arte ambicionando a evolução do pensamento humano no intuito de contribuir para a formação de um network global e para o aprimoramento de relações mais saudáveis, sensoriais, sustentáveis e conscientes.

Por que? Para a transcendência do statuos quo, e para a integração humanitária pela cultura da paz, do auto-desenvolvimento e para superar o complexo entendimento do livre arbítrio nessa etapa delicada de regeneração planetária em fase de  pós-pandemia.

Serviços Oferecidos: Compra, venda, representação, importação e exportação de obras de arte, consultoria e assessoria para decoração de projetos artísticos sob medida para pessoas físicas e jurídicas, exposições Individuais e coletivas, projetos culturais, mentoria artística, cursos de arte, entre outras iniciativas relacionadas.

Top Class View Bug Member: Membro da maior comunidade americana de fotógrafos conectados.

Premiações Nacionais e Internacionais e Honrarias ao Mérito: Clique Aqui.

The Ligth Hunter -  PRESS RELEASES

Textos Críticos: Clique Aqui.

Participação em Catálogos e Exposições: Clique Aqui.

Convites para Exposições 2020/2021: Clique Aqui.

Convites para Publicações Especializadas: Clique Aqui. 

Video Art : Clique Aqui.

 @luiztod

Compondo com o Universo na fluidez da existência fotográfica! Tks!

FOTOGRAFIA DA UNIÃO PELA PAZ! Creator4Peace.

CEO SAVE GLOBAL ART GALLERY | unindo pessoas, projetos artísticos e o planeta para uma existência consciente.

#GodwillEmbaixador #Embaixador da Boa Vontade Internacional - Sou um cidadão global, artista visual digital e ativista ecológico e humanitário. Meu trabalho com foto e vídeo realizo em prol da paz e de um mundo melhor para todos. Acredito no poder da criatividade, da integração humana, da tecnologia e da arte para a transformação planetária! #Ubuntu #Globcal

 

PAZ E BEM. JUNTOS VAMOS MAIS LONGE!

AGRADEÇO SUA VISITA.

#manifesteseussonhos e #agradeça  #loveisthemovement #NewWorldNow #saveglobalartgallery #lettherebeligth

 

Metafisical

la Flame Violet de La Transmutation

la Flame Violet de La Transmutation

Our First Narrative

Our First Narrative

Critical ReView

Write a review of Luiz Todeschi's work.
Send to:  [email protected]

by Agora Gallery: 
Brazilian artist, Luiz Todeschi’s photographs are a celebration of light and movement. A lover of nature, Todeschi spends a great deal of time outdoors, searching for inspiration from the environment. His artistic style is marked by his sensitivity to the play of light and energy of color. Todeschi’s artistic perspective is influenced by his study of indigenous practices and wisdom that promote a deep respect for nature and honor relationships with all living things. Acutely moved by the plight of the indigenous people in his country, Todeschi considers it his mission as an artist to spread the message of peace through his photography. In “White Egret”, Todeschi captures the moment of an egret taking off for flight. With its soft focus, and high contrast between light and shadow, the piece is elegant and gestural. Todeschi’s intimate treatment of the egret reveals the artist’s deep reverence and emotional connection to his subject. The image has a very painterly quality to it, with large swaths of light and shadow that appear reminiscent of brush strokes. The simplicity and sweeping movement of “White Egret” evokes an overall feeling of both tranquility and grace.. "
Agora Gallery  
Eleni Cocordas –  Agora Gallery Executive Director Mrs. Eleni Cocordas (in memorian), died on May 1, 2020, due to complications resulting from COVID-19.

Artetra Art Associates Italy - About Art Paris 2019 Picasso Prize: "The artist offered us na exciting photographic journey in search of that espiritual energy tha was given usb y the Gods to the trees of Time. Between the Earth and the water of a primordial Brazil, with his “imortal shots” the artist has stolen as Prometheus what remains the sacred fire."

British Journal of Photography
"The photos show us a brilliant light, the sky and silhouetted scenes in natural environments. I think it is clear in your photos that you captured some of this magic and the amazing qualities of light’s ability to create contrast! I think that by the way you composed your images you certainly create a poetic experience for the viewer. It appears that you are working on making these artistic photos in a unique and interesting way. Your images speak about the wonder of the sun as a metaphor for the source of all that is spiritual. " The  full review on the Let it Be Light series of the British Journal of Photography: click here: British Journal of Photography

Mentors Mon Brézil
"
Let there be light!  "Honor the presence of light and images through your lens highlighting the importance of the same for photography is one of the artist's missions. The photo itself represents this exaltation of sunlight that is of paramount importance to life in all its expression on the terrestrial plane. Personal Brand of the photographer, the backlight of the photo clearly demonstrates this vision its ineffable presence, its omnipotence, and the consciousness that this energy is at all times transforming the humanity. " 
Curators Coletivo Meu Brasil: Anna Priscilla Marques e Ricardo Esteves  (Mentorship from Luiz Todeschi)


Walking through the light - Dr. Oscar D'Ambrosio

Light is of fundamental importance for anyone who walks the path of photography. Born in Curitiba in 1977, Luiz Todeschi researches in his visual journey several ways to deal with this resource, always in a perspective where new possibilities are sought.  It is a process in eternal transformation, for light is an energy in motion, as is the journey of the visual artist. There is a mixed exercise of contemplation with action that constitutes a permanent enigma. On the one hand, there is the development of the aptitude of knowing to see; on the other, the practice of knowing how to build. A constant dilemma accompanying photography rightly lies in the way one decides to articulate these issues in order to arrive at the images themselves. There is a whole process of selecting what you see and choosing how you want to represent it. These processes derive from the intuition of the artist and also from his experience. Luiz Todeschi navigates these questions with competence. In dealing with color tones, abstractions and geometrized compositions, there are aspects that reveal a close look at what is around him and what can be erected by different strategies that can lead to the most diverse results, more or less realistic according to the case, but always marked by sensitivity on a journey through the paths of light. Oscar D'Ambrosio - Oscar D'Ambrosio holds a PhD in Education, Art and History of Culture and a Master's Degree in Visual Arts from the Institute of Arts of UNESP - State University of São Paulo / Brazil. Graduated in Journalism from the ECA-USP, (1986), graduated from the Faculty of Arts and Education at the Mackenzie Presbyterian University, (1986), specialization in Dramatic Literature from ECA-USP, (1989) UNESP, (2004) and doctorate in the Program of Education, Art and History of Culture of Universidade Presbiteriana Mackenzie, (2013).]

LensCulture Emerging Talent Awards – Critical Review!
About: Violet Flame, 2019.


“ You have some very strong work in your submission. I've enjoyed viewing your artwork as it is quite varied in approach. Some of your images are rather representational, or others are a bit more esoteric and lyrical in approach. Images three and two are perhaps your most successful submissions. In image three, I'm very much drawn to the implied lines formed by the foot and the flowers which lead the eyes directly to the burning candle. In addition, the biblical depiction below of course references culture and ways of attempting to negotiate spirituality and eternity. This is a beautiful image. In image two, there is an engaging sense of symmetrical balance introduced by the dark shapes that occupy the left and right sides of the frame, and these shapes are variously echoed as well. I also applaud the rather subtle degree of color contrast afforded by the warmer hues near the middle of the picture with the cooler hues of the margins. Image four offers a great deal of promise, and I particularly enjoy the backlit effect and the gradient of hues in the middle branches. That being said, the central subject placement entails that the left and right sides of the framer are void of emphasis. Consider a different approach to composition, or more simply, perhaps a vertical orientation. These are your most engaging pictures. Image one offers promise, but I find the inclusion of the shadow elements at right and bottom left to be distracting. Perhaps you intend this as a sort of framing device, but this is not clear given the information provided in the picture, the image title nor the caption. Image five is perhaps your least successful picture. You already have one image which is far more successful in depicting lens flare via photographing directly into the sun. In addition, the right side of the frame is relatively inactive and this results in compositional imbalance. I applaud your project statement, but I suggest you reconsider your words. It is often difficult to pair rather lyrical and ambiguous imagery with similarly lyrical language. I suggest you be as concrete and specific as possible. What do you hope viewers might glean from your work, for example? I also suggest you be as specific as possible as you employ many general statements. As a matter of fact, in the project statement you refer to the reconnection of "everything," and the caption for image three references also a wide-ranging "everything." Be wary of trying to assign too large of a scope to your project. Be more specific and focused when possible. That being said, I applaud in your statement that you reference a personal trip to Luz, if I understand correctly. But what exactly is the connection to this event and the larger arc of your pictures? Usually, the more information that is provided to viewers, the greater the chance that they will arrive at a more fully realized appreciation of your vision. Your overall vision is interesting, particularly as embodied in images two and three. I suggest you refine your statement and consider a bit more continuity in style and aesthetics across the images. Thank you for submitting your work to LensCulture.”

Artour International Magazine

"Brazilian photographer Luiz Todeschi left behind a career in the administration business to devote himself full-time to photography. Since that time, his masterful work has earned him worldwide acclaim. His photographs were exhibited in Brazil, the United States, France, Italy, among other countries.

He received several honors, including:  Certificate of Honor to the Artistic Merit Artetra Artists Associados Italy during the Art Paris event; APAVE Brazilian Nature Portraits Contest (2013, 2014, 2015 and 2017); photo Turning Moment of Street Fotography Team Romania in Eastern Europe 2015; Certificates of Excellence - 31st Artavita 2019 online art contest in San Diego, California, USA, among others.

Through it all, Todeschi remained true to the guiding philosophies of his passion. Among them the idea that “The magic of photography is precisely that I believe that what we are recording is something that was presented just for us. When we become instruments of photography and art, we feel with a preconceived heart and cultural and social values. This combination of ineffable uniqueness and sense of collectivity permeates his newest work. The lighting piercing in "Violet Flame Earth Element", for example, emphasizes the uniqueness of each leaf - indeed each leaflet - that understands you. However, this does not diminish the aggregate plant, but accentuates the complex of interactions between the part and the whole. This theme links this work to other recent photographs, such as the dynamic “Kanaro” with its parrot blending in perfectly with its environment, even as it takes center stage, as well as “Red River” with its vivid mix of solid, liquid and gas . In this sense, in these works they become a microcosm of ourselves and our planet.

This unique blend is not an accident, but a deliberate exploration. As Todeschi says,

"I am a true seeker of self-knowledge, constant learning, expanding awareness and serving others. We can do much better. My desire really is to see the people of our country and our planet, as well as Mother Nature, being treated with respect.”

These principles, in addition to the exultant works that derive from them, give voice to its claim to be one of the most important voices for our planet and for its unfathomable depths of the aspiration of the individual to the collective.

To learn more about Luiz Todeschi and his works, visit https://www.lgtfotografia.com.br/. You can also visit their virtual online representatives, including Plogix Gallery, Artavita, View Bug and the Foundation of Arts. " Viviana Puelo CEO ATIM



Manifest

Foto Manifest - Imagem 1

 

Photographic manifesto by Luiz Guilherme Todeschi

This is my Personal Manifesto on Photography. It serves to guide my conduct and value what I consider appropriate to move through the imaginary universe. Any phrase or similar thought said here by another author can be considered a mere coincidence, as it guides my personal experience and way of seeing the world with a camera in hand.

1. A photographic image has a very strong symbolic charge. It can be used with great care and respect by photographers. Ethics is recommended especially in the exercise of the profession.

2. It is noticed that many photographers are currently following trends and mirror the work of other colleagues already done. Particularly in the case of commercial and copyright trials. This ultimately undermines creativity and innovation in photography. If copying or plagiarism can be avoided, we believe it is important to act accordingly.

3. A photographer who is passionate about images knows how difficult it is to take his photography differently without mirroring references from the past and without occasionally reproducing images already made. Yes, we suddenly believe that we did something innovative in our photography, and on the other side of the world a very similar image or production was recorded. That happens. No problem, when we are unaware of it. And when we are aware, we must be prepared to accept.

4. Copyrighted works that are copied or reproduced by other colleagues end up losing the true value of exclusivity. Let us not fail to honor the beautiful work already done. But that does not make us copiers of scenes and situations recorded by other photographers. The reproduction of an image enshrined in the history of photography when edited and staged is still plagiarism.

5. In photography, the search for emotions and true feelings expressed by the models portrayed can become a strong ally and give more expressive strength to the power of the image. We will abort this when we have an opportunity in our records.

6. When considering the history of mankind through photography and records of sadness and situations of conflict, misery and social deprivation, we could endeavor to use photos with caution so as not to feed negativity through images. Even knowing the importance of denunciation, war and humanitarian photography, we honor the work in this direction that has provided a differentiated way of observing the facts experienced by the human being or the need for changes in attitudes and consciences.

7. We would like to believe that one day we will have only positive images being recorded in humanity. We look for that in our photography. We may not live this life in general. But we can strive, through the communication power of our photography, to show everyone that a new world is possible. In that sense, we intend to walk.

8. According to statistics, about 125 billion images are produced and published on social networks per year. The world has become extremely creative with the advent of new technologies. Before posting an image on social media, we should really ask ourselves if it is necessary and if there will be a message of value to communicate. Even the true value of an image is questionable because what is valuable to the photographer will not necessarily be seen as meaningful by the image observer.

9. Honor copyright to the utmost. Thus we will be living up to the values ​​and rights of photographers and portraits. In times of copy and paste, citing the source of the image or reference used and reproduced is essential. A matter of respect for the legislation and for the human being that somehow expressed itself through photography.

10. We believe that true weight photography is one that expresses the reality of the events witnessed and experienced and faithfully portrays any situation recorded by the photographer.

11. Photography is wonderful and allows, in addition to other audiovisual recording resources, stories to be told. In this sense, the power of visual narratives leaves a legacy to human beings. Let them be used wisely. In my opinion, a good narrative is one that is not lost in time.

12. Once we see our authorial photography as meaningless, don't worry. We can take a break. Breathe new air. Let it flow. Think and feel new possibilities.

13. There are phases in the life of the high and low production artist photographer. Like everything that needs inspiration in life. Our image potential will not always work to our advantage. There are days when the light doesn't help. The motivation will not exist. The scene will not appear. Even so, let us not be discouraged.

14. Ideally, photography should guide us and be called upon to do so. This will not always be possible. We cannot always claim trance and inspiration for creation. But never that makes it impossible for us to put ourselves at the disposal of the image register.

15. Every photographic study and any personal search by the photographer in his contribution to the imaginary universe is important and must be considered. Everything must be considered as part of the individual learning process. 

16. The magic of photography is precisely to believe that what we are recording is something that has been presented only to us. When we become instruments of photography and art we feel with the heart and preconceived cultural and social values. In any case, every photographic intention is valid. 

17. Avoid regret and error in photography as much as possible. As a photographer, the most incredible scene in your life may not be recorded because you left your camera at home.

18. All phrases and everything that was constructed in the photograph can be questioned and interpreted in different ways. Let us never fail to honor and get to know the true masters of photography. All those who are part of the history of photography. All those who express love for the art of photography. And especially all those who have the capacity to perceive the decisive moments that make the photographic act really very noble. This is critical.

19. What would life be like without photography? Those who shoot with passion and love would not know how to answer. You would go?

20. Any attempt at digital montage, performance manipulation, use of non-traditional devices or images that escape the standard of normality and contemporary trends of expression can and should also be considered as human expression and art. And in the same way it must be honored and valued.


Luiz Guilherme Todeschi


CRITICAL REVIEW - about Luiz Todeschi

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INTERVIEW: LEAVE THE BOX OF HELEN POMPOSELLI WITH PHOTOGRAPHER LUIZ GUILHERME TODESCHI
"Passionate about the art of relating to human beings, for Luiz, self-knowledge is a guiding thread for his social work, for it is said that a person has no fear. "I am a true seeker of self-knowledge, of constant learning, of the expansion of consciousness and of service to others. One who is not only mirrored in the teachings of the Masters and seeks to master the development of unconditional love. We can do so much better. My desire really is to see the people of our country and our Planet, as well as Mother Nature, being treated with respect. "

 

Phrases

Photography in words by various artists

"The camera makes no difference. All they record what you are seeing. But you must SEE! "Ernst Haas

"If a photo is not good enough, it's because you did not get close enough to the fact" Robert Cappa

"A good photo is one that opens your imagination, which brings emotion." Martine Franck

"To photograph, is to put in the same line of sight, the head, the eye and the heart." Henri Cartier-Bresson, 1994

"Photography is the poetry of immobility: it is through photography that the moments are seen as they are." Peter Urmenyi

"My photographs are a vector between what happens in the world and people who can not see what happens." - Sebastião Salgado

"A photograph is a secret about a secret, the more you tell, the less you know." - Diane Arbus

"I like the shape, the figure and the strength of the photograph." - Herb Ritts

"I was stuck in this art form because photography had given me a new sense of identity and mission." - Bob Anderson

"If I have a message for beginners, there are no shortcuts in photography." - Edward Weston

"Beauty can be seen anywhere. Composing beauty is what separates the snapshot from the photograph. "- Matt Hardy

"Photography is an immediate reaction, painting is a meditation." - Henri Cartier-Bresson

"Photography is my second language." - Gary Kapluggin

"Photography plays a very important role in the development of art." - Gustave Le Gray

"The contrast is what makes photography interesting." - Conrad Hall

"Photography is a fleeting romance with life." - Burk Uzzle

"There is nothing worse than a brilliant photograph of a diffuse concept." - Ansel Adams

"What is my favorite photo? The one I will perform tomorrow. "- Imogen Cunningham

"Just you and your camera. The limitations in your photography are on yourself, because what you see, is what you are. "- Ernest Haas

"The camera makes no difference. All they record what you are seeing. But you must SEE! "Ernst Haas

"If a photo is not good enough, it's because you did not get close enough to the fact" Robert Cappa

"A good photo is one that opens your imagination, which brings emotion." Martine Franck

"To photograph, is to put in the same line of sight, the head, the eye and the heart." Henri Cartier-Bresson, 1994

"Photography is the poetry of immobility: it is through photography that the moments are seen as they are." Peter Urmenyi

"My photographs are a vector between what happens in the world and people who can not see what happens." - Sebastião Salgado

"A photograph is a secret about a secret, the more you tell, the less you know." - Diane Arbus

"I like the shape, the figure and the strength of the photograph." - Herb Ritts

"I was stuck in this art form because photography had given me a new sense of identity and mission." - Bob Anderson

"If I have a message for beginners, there are no shortcuts in photography." - Edward Weston

"Beauty can be seen anywhere. Composing beauty is what separates the snapshot from the photograph. "- Matt Hardy

"Photography is an immediate reaction, painting is a meditation." - Henri Cartier-Bresson

"Photography is my second language." - Gary Kapluggin

"Photography plays a very important role in the development of art." - Gustave Le Gray

"The contrast is what makes photography interesting." - Conrad Hall

"Photography is a fleeting romance with life." - Burk Uzzle

"There is nothing worse than a brilliant photograph of a diffuse concept." - Ansel Adams

"What is my favorite photo? The one I will perform tomorrow. "- Imogen Cunningham

"Just you and your camera. The limitations in your photography are on yourself, because what you see, is what you are. "- Ernest Haas

"There are always at least two people in every picture: The photographer and the spectator." - Ansel Adams

"For me, photography is life and must deal with life." - Robert Frank

"Photography is my second language." - Gary Capluggyn

"I'm not interested in the rules, photography is not a sport." - Bill Brandt

"The sunset is a fleeting moment, but magical, where the light that allows us to see and express life, exposes itself as an entity and shows its" face ", in a beautiful ball of fire suspended in the horizon, multiple frames and multiple tones. It is enough to want to see, and maybe one day to finally see, that everything, including ourselves, is the fruit of this light, and that we come back and for it. "Dr. DimosIksilara

"Because of composition, photography is a work of art." Octávio Paz

"The camera is a mirror with memory, but unable to think." Arnold Newmann

"The things we occupy ourselves with in photography are constantly disappearing, and once consummated, we have no recourse capable of making them reappear." Henry Cartier-Bresson

"For all those really capable of seeing, the photograph taken by you, represents the testimony of its existence." Paulo Straub

"While the designer starts from the center of the sheet, the photographer, begins with the frame." J. Szarkowski

"Photography is, above all, a testimony. When the camera is pointed at some object or subject, a meaning is constructed, a choice is made, a theme is selected and a story told, it is up to us, spectators, the immense challenge of reading them. " Ivan Lima

"Of all the means of expression, photography is the only one that fixes for ever the precise and transitory moment. We, photographers, deal with things that are continually disappearing and, once missing, there is no mechanism in the world that can bring them back again. We can not reveal or copy a memory. " Henri Cartier-Bresson

"Photography is a form of fiction. It is both a register of reality and a self-portrait, because only the photographer sees it that way. "Gérard Castello Lopes

"All it takes is one plane to shake a little bit more, and then all the passengers look like the passport photo."

"Life is always addressing us and saying, 'Come, life is great!' And what do we do? We step back and take a picture of him. "Russell Baker

"A photograph is an instant of life captured for eternity."

"How many people who wanted to commit suicide were content to tear their own picture!" Jules Renard

"The photograph never reveals itself completely when you cut yourself short. These relationships resemble a polaroid photo: the image gradually appears. Some things distanced themselves from the original feeling, but that is life. "Mia Farrow

"My hands look at you in a strange photograph where my eyes touch you." Lisa Carducci

"Photography is the picture of a concave, a lack, an absence." Clarice Lispector

"Photography is a form of fiction. It is both a register of reality and a self-portrait, because only the photographer sees it that way. "Gérard Castello Lopes

'Should painters not use their re-won freedom to do something else? It would be very curious to fix photographs, not the steps of a painting, but its metamorphoses. Perhaps we could see by what paths the brain makes its dreams come true. However, it is really very curious to note that, deep down, the picture does not change, that the initial view remains almost intact despite appearances. Many times I see a light and a shadow that I put in my painting and I strive to break them, adding a color that creates an opposite effect. When this work is photographed, I realize that what I had introduced to correct my first vision disappears, and that definitely the image given by the photograph corresponds to my first vision, before the transformations brought against my will. "Pablo Picasso

"The difference between written journals and literature, is like the difference between a black and white photograph, and the same, colorful."
Hiago Rodrigues Reis de Queirós

"The best photo album is our memory, in it are recorded real photos of good and bad moments of our life." Márcia Reis

"We do not take a picture with just a camera; to the act of photography we bring all the books we read, the films we saw, the music we heard, the people we loved. "Ansel Adams

"Human photography is captured through machines, that of the soul through our actions and character." João Soares Portela

"When I was little, all reality was a fiction, so I wanted to be a photographer. When I grew up, I became a writer, because in Photography I had too much reality to my taste. "Hiago Rodrigues Reis de Queirós

"The writer and the photographer use the same tools, but as one describes an image with a thousand words the other describes a thousand words with an image." Jefferson Luiz Maleski

"You can not depend on your eyes when your imagination is out of focus." Mark Twain

"Shooting is a way of seeing the past. Photographing is a form of expression, the "freezing" of a situation and its physical space inserted in the subjectivity of a virtual realism. Photographing is a way of communicating and informing. Following the reasoning, the photographic visual language besides being stronger is not determined by a standard language, thus not needing a translation, since they differ the interpretations. "(I do not know the author)


"Photography reproduces to infinity only occurs once: it repeats mechanically what can never be repeated again." (I do not know the author)

"Shooting is cutting a certain space in a specific fraction of time. The great photographers are those who can overcome these limitations, causing that certain image to transcend frames and retain the time in its most precise moment. "(I do not know the author)

"To photograph is to immortalize a single moment, to which one can no longer return, except through that record. Nothing more than a simple click, a moment, a single and eternal record. "(I do not know the author)

"To photograph is to draw, using light as a brush, nature as ink and film as canvas, and can thus immortalize that chosen image or moment, while the world is constantly changing. (I do not know the author)

"Photography is recording the magic of moments and capturing eternity !!!" (I do not know the author)

"Everyone has a photographic memory, some people just do not have film !!!" (I do not know the author)

"To photograph is to freeze the moment is to halt an instant, is to hold the time is to make everything important, every detailhese shows, every color is revealed, nothing is left to pass, nothing is irrelevant. It is to observe the second by the most beautiful ether form in the hands the time. As fascinating as I can be able to photograph ... "(I do not know the author)

"Photographing is a 'form-of-understanding' that can not be separated from other means of expression ... It is a way of shouting, of freeing oneself and not of proving or affirming one's own originality ... It is a way of living!" I do not know the author)


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Luiz Guilheherme Todeschi - mailto: [email protected]

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PEACE PHOTOGRAPHER, Photography fineart, video art, especial photo essays. Luiz Todeschi - Curitiba and Balneário Camboriú, Expeditions, services, and Exhibitions around the world.

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